Found 1 items, similar to Unity of type.
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Definition: Unity of type
, n. [F. type; cf. It. tipo, from L. typus a figure,
image, a form, type, character, Gr. ? the mark of a blow,
impression, form of character, model, from the root of ? to
beat, strike; cf. Skr. tup to hurt.]
1. The mark or impression of something; stamp; impressed
The faith they have in tennis, and tall stockings,
Short blistered breeches, and those types of travel.
2. Form or character impressed; style; semblance.
Thy father bears the type of king of Naples. --Shak.
3. A figure or representation of something to come; a token;
a sign; a symbol; -- correlative to antitype.
A type is no longer a type when the thing typified
comes to be actually exhibited. --South.
4. That which possesses or exemplifies characteristic
qualities; the representative. Specifically:
(a) (Biol.) A general form or structure common to a number
of individuals; hence, the ideal representation of a
species, genus, or other group, combining the
essential characteristics; an animal or plant
possessing or exemplifying the essential
characteristics of a species, genus, or other group.
Also, a group or division of animals having a certain
typical or characteristic structure of body maintained
within the group.
Since the time of Cuvier and Baer . . . the
whole animal kingdom has been universally held
to be divisible into a small number of main
divisions or types. --Haeckel.
(b) (Fine Arts) The original object, or class of objects,
scene, face, or conception, which becomes the subject
of a copy; esp., the design on the face of a medal or
(c) (Chem.) A simple compound, used as a mode or pattern
to which other compounds are conveniently regarded as
being related, and from which they may be actually or
Note: The fundamental types used to express the simplest and
most essential chemical relations are hydrochloric
; water, H2O
; ammonia, NH3
; and methane,
(a) A raised letter, figure, accent, or other character,
cast in metal or cut in wood, used in printing.
(b) Such letters or characters, in general, or the whole
quantity of them used in printing, spoken of
collectively; any number or mass of such letters or
characters, however disposed.
Note: Type are mostly made by casting type metal in a mold,
though some of the larger sizes are made from maple,
mahogany, or boxwood. In the cut, a is the body; b, the
face, or part from which the impression is taken; c,
the shoulder, or top of the body; d, the nick
(sometimes two or more are made), designed to assist
the compositor in distinguishing the bottom of the face
from t`e top; e, the groove made in the process of
finishing, -- each type as cast having attached to the
bottom of the body a jet, or small piece of metal
(formed by the surplus metal poured into the mold),
which, when broken off, leaves a roughness that
requires to be removed. The fine lines at the top and
bottom of a letter are technically called ceriphs, and
when part of the face projects over the body, as in the
letter f, the projection is called a kern.
[1913 Webster] The type which compose an ordinary book
font consist of Roman CAPITALS, small capitals, and
lower-case letters, and Italic CAPITALS and lower-case
letters, with accompanying figures, points, and
reference marks, -- in all about two hundred
characters. Including the various modern styles of
fancy type, some three or four hundred varieties of
face are made. Besides the ordinary Roman and Italic,
some of the most important of the varieties are
[1913 Webster] Old English. Black Letter. Old Style.
French Elzevir. Boldface. Antique. Clarendon. Gothic.
[1913 Webster] The smallest body in common use is
diamond; then follow in order of size, pearl, agate,
nonpareil, minion, brevier, bourgeois (or two-line
diamond), long primer (or two-line pearl), small pica
(or two-line agate), pica (or two-line nonpareil),
English (or two-line minion), Columbian (or two-line
brevier), great primer (two-line bourgeois), paragon
(or two-line long primer), double small pica (or
two-line small pica), double pica (or two-line pica),
double English (or two-line English), double great
primer (or two-line great primer), double paragon (or
two-line paragon), canon (or two-line double pica).
Above this, the sizes are called five-line pica,
six-line pica, seven-line pica, and so on, being made
mostly of wood. The following alphabets show the
different sizes up to great primer.
[1913 Webster] Brilliant . . abcdefghijklmnopqrstuvwxyz
Diamond . . abcdefghijklmnopqrstuvwxyz Pearl . . .
abcdefghijklmnopqrstuvwxyz Agate . . .
abcdefghijklmnopqrstuvwxyz Nonpareil . . .
abcdefghijklmnopqrstuvwxyz Minion . . .
abcdefghijklmnopqrstuvwxyz Brevier . . .
abcdefghijklmnopqrstuvwxyz Bourgeois . .
abcdefghijklmnopqrstuvwxyz Long primer . . .
abcdefghijklmnopqrstuvwxyz Small pica . .
abcdefghijklmnopqrstuvwxyz Pica . . . . .
abcdefghijklmnopqrstuvwxyz English . . .
abcdefghijklmnopqrstuvwxyz Columbian . . .
abcdefghijklmnopqrstuvwxyz Great primer . . .
[1913 Webster] The foregoing account is conformed to
the designations made use of by American type founders,
but is substantially correct for England. Agate,
however, is called ruby, in England, where, also, a
size intermediate between nonpareil and minion is
employed, called emerald.
Point system of type bodies
(Type Founding), a system
adopted by the type founders of the United States by which
the various sizes of type have been so modified and
changed that each size bears an exact proportional
relation to every other size. The system is a modification
of a French system, and is based on the pica body. This
pica body is divided into twelfths, which are termed
and every type body consist of a given number
of these points. Many of the type founders indicate the
new sizes of type by the number of points, and the old
names are gradually being done away with. By the point
system type founders cast type of a uniform size and
height, whereas formerly fonts of pica or other type made
by different founders would often vary slightly so that
they could not be used together. There are no type in
actual use corresponding to the smaller theoretical sizes
of the point system. In some cases, as in that of ruby,
the term used designates a different size from that
heretofore so called.
[1913 Webster] 1 American 9 Bourgeois [bar] [bar] 11/2
German [bar] 2 Saxon 10 Long Primer [bar] [bar] 21/2 Norse
[bar] 3 Brilliant 11 Small Pica [bar] [bar] 31/2 Ruby 12
Pica [bar] [bar] 4 Excelsior [bar] 41/2 Diamond 14 English
[bar] [bar] 5 Pearl 16 Columbian [bar] [bar] 51/2 Agate
[bar] 6 Nonpareil 18 Great Primer [bar] [bar] 7 Minion
[bar] 8 Brevier 20 Paragon [bar] [bar] Diagram of the
by which sizes of Type are graduated in the
, one who casts or manufacture type.
, Type foundery
, a place for the manufacture
, an alloy used in making type, stereotype
plates, etc., and in backing up electrotype plates. It
consists essentially of lead and antimony, often with a
little tin, nickel, or copper.
, a wheel having raised letters or characters on
its periphery, and used in typewriters, printing
Unity of type
(Biol.), that fundamental agreement in
structure which is seen in organic beings of the same
class, and is quite independent of their habits of life.
, n.; pl. Unities
. [OE. unite, F. unit['e], L.
unitas, from unus one. See One
, and cf. Unit
1. The state of being one; oneness.
Whatever we can consider as one thing suggests to
the understanding the idea of unity. --Locks.
Note: Unity is affirmed of a simple substance or indivisible
monad, or of several particles or parts so intimately
and closely united as to constitute a separate body or
thing. See the Synonyms under Union
2. Concord; harmony; conjunction; agreement; uniformity; as,
a unity of proofs; unity of doctrine.
Behold, how good and how pleasant it is for brethren
to dwell together in unity! --Ps. cxxxiii.
3. (Math.) Any definite quantity, or aggregate of quantities
or magnitudes taken as one, or for which 1 is made to
stand in calculation; thus, in a table of natural sines,
the radius of the circle is regarded as unity.
Note: The number 1, when it is not applied to any particular
thing, is generally called unity.
4. (Poetry & Rhet.) In dramatic composition, one of the
principles by which a uniform tenor of story and propriety
of representation are preserved; conformity in a
composition to these; in oratory, discourse, etc., the due
subordination and reference of every part to the
development of the leading idea or the eastablishment of
the main proposition.
Note: In the Greek drama, the three unities required were
those of action, of time, and of place; that is, that
there should be but one main plot; that the time
supposed should not exceed twenty-four hours; and that
the place of the action before the spectators should be
one and the same throughout the piece.
5. (Fine Arts & Mus.) Such a combination of parts as to
constitute a whole, or a kind of symmetry of style and
6. (Law) The peculiar characteristics of an estate held by
several in joint tenancy.
Note: The properties of it are derived from its unity, which
is fourfold; unity of interest, unity of title, unity
of time, and unity of possession; in other words, joint
tenants have one and the same interest, accruing by one
and the same conveyance, commencing at the same time,
and held by one and the same undivided possession.
Unity of possession is also a joint possession of two
rights in the same thing by several titles, as when a
man, having a lease of land, afterward buys the fee
simple, or, having an easement in the land of another,
buys the servient estate.
, at one.
Unity of type
. (Biol.) See under Type
Syn: Union; oneness; junction; concord; harmony. See Union